The Blob
(1988)
RCA Home Video 
For those of you who aren't paying
attention, this is Chuck Russell's glopolaized remake of the 1958 Steve
McQueen camp classic. Russell, responsible for the well-done third
installment of the ELM STREET series, continues his winning ways with
this excellent, inventive, gory, fun horror flick that holds fast to one
of Joe Bob Briggs's all-important requirements: "Anybody can die at
any time!!!"
Kevin Dillon stars as the town tough-guy, a leather-wearin',
beer-drinkin', motorcycle-ridin', earring-sportin' rebel who inadvertently stumbles
upon a drunk who's been "blobbed." This brings him into direct
contact with Shawnee Smith (the preggo
chick from SUMMER SCHOOL) and Donovan Leitch (son of 60s singer Donovan
and brother of thespian Ione Skye). In an excellent hospital scene
Leitch, the nominal hero, gets blobbed and Dillon inexplicably gets
blamed for the murder The sheriff here is played by the same guy who
played the sheriff in THE HITCHER (can you say "typecast"?)
and his deputy is the slimy weasel guy that gets toxic-wasted in
ROBOCOP.
Soon, the blob is running, er oozing, rampant all over town, eating
everything in its path including Candy Clark and our beloved sheriff in
a tremendously effective scene. Dillon and Smith are forced to team up
when government "medical experts" quarantine the town in an
interesting and effective twist reminiscent of Romero's THE CRAZIES.
Here, the film retains its homage to the original, but also verges into
new territory to satisfy us conspiracy-minded viewers.
Eventually Smith and Dillon save the day, but not before we get some
excellent deaths, great tough guy standoffs, a killer revision on the
movie theatre scene, some brilliant acting from ER fav Art LeFleur (TRANCERS,
ZONE TROOPERS) as Smith's dad, an appearance by the deceased Jack Nance
and fantastic behind-the-scenes work from Dillon's hairdresser who keeps
the stars flowing locks from looking mussed as he saves the world.
The $20 million budget is all visible on screen, although some of the
matte work is pretty cheesy. However, the sum of the parts more than
make up for a few minor gaffes, and the twist ending is effective
instead of groanable. Way to go!